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Untitled film work - in development
Creation of new durational, site specific, movement-based performance work in situ; and further development to produce moving-image works. (This part of my personal arts practice will be supported by participation in The Fields residency, as proposed by the Live Art Garden Initiative). Current
Untitled drawings
A substantial body of line-drawing work. Intention to develop a new series of larger scale drawing works for exhibition in 2009. Commenced 2000 – Current
Art as Event: Upon Ideas, Different/ciation and Art by Marie Cool & Fabio Balducci
Draft paper upon Cool & Balducci’s work ‘Untitled 2006_2009’, performed at the South London Gallery, 15 May – 28 June 2009. 6,000 words. Strongly influenced by re-reading chpt. 4, 'Ideas and the synthesis of difference' in 'Difference & Repetition' by Gilles Deleuze, 1968. June 2009
'Creating new garden-farm environments as Art and different/ciating parameters of Art and Value as Event in these contexts'
A PhD practice-led research proposal. The principal concerns will revolve around this question: ‘How would creating art within new garden-farm environments, those that are themselves both created as art and generative of sites of action in critical ethical engagement with the contemporary nexus of libidinal economies and environmental issues, affect 'different/ciating' parameters of contemporary arts and arts philosophy practice relating to concepts of Art and Value as Event – particularly durational, movement and sound-based live arts practice and associated moving-image practice?’. Last revised: August 2009.
Becoming Desire and Event
A visiting artist course proposal. The course investigates arts practice and philosophy relating to ‘becoming’, ‘desire’ and ‘event’; and draws from the transdisciplinary approach to arts practice and research that I take as an artist. The course is an extension of a two day visiting-artist teaching block which introduces some of the main issues guiding my practice:
- Becoming; and meaning, live art and the uncapturable;
- Process and duration; and stillness, movement, solitude and literature;
- The intensive; and addressing this aspect of spatial and contextual environments.