Writing
- A Review of Manuel DeLanda’s ‘Philosophy and Simulation. The Emergence of Synthetic Reason’
2011. Published in the Journal ‘Philosophy of Photography’, Volume 2 Number 1. (Intellect Journals: 2011). ISSN 2040-3682
Journal ‘Philosophy of Photography - Dormancy and Event
A presentation introducing a green-space film project with reference to notions of dormancy and the aleatory, and drawing upon ‘Nietzsche & Philosophy’ by Gilles Deleuze. Postgraduate/Postdoctoral Research Conference: ‘Allergic Bodies’. Institute for the Converging Arts & Sciences (ICAS), University of Greenwich. 2010 - Art as Event: Different/ciation and Marie Cool & Fabio Balducci's Work
A draft paper upon Cool & Balducci’s work ‘Untitled 2006_2009’, performed at the South London Gallery, 15 May – 28 June 2009. Strongly influenced by re-reading chpt. 4, 'Ideas and the synthesis of difference' in 'Difference & Repetition' by Gilles Deleuze, 1968. June 2009 - Informal Thought
Four review articles sent to The Series group, an e-list set up to facilitate continuation of exchange during and after the Artist Review Series. 2006–07 - Field Foci
A creative text arising from performance practice at Gunpowder Park, Herts. 2006.
Text pdf file size: 172kb - Becoming, Desire and Event
2003–06. Research, study and writing on historicity, subjectivity, desire and live art. Invited presenter / associate artist researcher at University of Greenwich, 2005 Postgraduate Conference. Writings strongly influenced by reading works by Gilles Deleuze, J-F Lyotard, Johnny Golding, Manuel DeLanda, Mae-Wan Ho and others, including Vito Acconci, F. Braudel, E.M. Cioran, G. Debord, F. Guattari, A. Lingis, B. Massumi, Z. Motokiyo, J. Russell, J. Toufic, P. Virilio, and Depraz, Vermersch and Varela. Draft papers:- ‘Dynamics Conditioning a Live Art of Movement-Fields’ (2006)
- ‘Phonic Surfaces and Theatre’ (2004)
- ‘Writings’ (2003)
- Odd day
Creative text. 2003.
Text pdf file size: 32kb - Article on SLG debate ‘Interdependence and the Artist’
Draft article on the South London Gallery debate, censorship and the Licensing Act 2003. August 2003 - Curvy Packaging
Writings, sound, drawings, digital imaging: collaborative book project. Adrian Fisher and Lauren Goode. 2000
Ilustrated text pdf file size: 145kb - She Had Four Legs
A creative text from the collected writings Flawlessly Mutilated by Lauren Goode, 1999. Published in OMSK Book, A Testing Ground for Film, Video, Live Art, Sound and Mayhem. Ed. Clare Maloney. (London: OMSK, 2007). ISBN: 978-0955611209. (Spoken word presented as part of a performance by Lauren Goode, Adrian Fisher and Claire Taylor, OMSK 'Volcano' event, 1999).
OMSK Book - Flawlessly Mutilated
Collected creative writings. Lauren Goode. 1998–2000
Text pdf file size: 200kb - ‘A Multi-storey Park: Spine, Concrete Bone; Spiral Skeleton; Prevalent Impossible Wall’
MA dissertation (Distinction), 1995. Royal College of Art, London.
Subject: architectural space and arts philosophy, reflecting upon Heidegger’s 'Building Dwelling Thinking' and other writers, including Blanchot, Bachelard and Lefebvre. Research involved visiting and photographing multi-storey car parks.
Ink line-drawings. Lauren Goode. 2009.
Selected images from a body of line-drawing works.