This drawing is selected from a series (2009-2011) of 12 large format ink drawings.
Research interests in superposition dimensions. Diagrams: Lauren Goode. 2011.
Selected images by Lauren Goode published in This Week – an online artists' yearbook, image and text-based.
Pl. Live Art Garden Initiative. 2006–11.
Video stills and photographic documentation from live art practice sessions and site recces (various green space locations).
Live Art Garden Initiative. 2004– .
‘Live Art Garden Initiative. 2004– . Arts, architecture, sound and ecology project.
Artists’ network development and new garden-farm environments for in-situ arts practice and events.
Creation of new work: durational, movement-based in-situ performance, and moving-image.
Project initiator, director and artist: Lauren Goode. Associate artists: Charlotte Bernstein, Fabrizio Manco, Maria Llanderas, Helen Palmer, Carla Vendramin.
Video stills and photographic documentation from live art practice sessions and site recces (various green space locations).
Live Art Garden Initiative. 2004– .
‘Live Art Garden Initiative. 2004– . Arts, architecture, sound and ecology project.
Artists’ network development and new garden-farm environments for in-situ arts practice and events.
Creation of new work: durational, movement-based in-situ performance, and moving-image.
Project initiator, director and artist: Lauren Goode. Associate artists: Charlotte Bernstein, Fabrizio Manco, Maria Llanderas, Helen Palmer, Carla Vendramin.
Research interests in parkland landscape. Photos: Lauren Goode. 2007 – 2009.
Published in This Week
Published in This Week
Green-space in-situ performance and film project. Lauren Goode. 2008– .
Woodland vicinity live art and video project. 2005.
Photos: Lauren Goode.
Collaborative performance-research, video and photo-shoot.
Observatory Garden, in-situ performance events. 2005.
Five durational performances by Lauren Goode and Maria Llanderas, with sculptural costumes by Lauren Goode.
Greenwich Royal Park, London.
‘Lighthouseworks I & II’. Lauren Goode. 2002.
A live art performance series (four events), with sculptural costumes, objects and installations.
Toynbee Theatre, London. Solo works.
Video stills from documentation of 'Azygy' performance sessions, 2000–01.
‘Azygy’. 2000–01.
A residency project supporting experimental collaborative, performative practice for one-year. Based at Old Spitalfields Market, London.
Sound and movement-based improvisation in-situ, forming weekly public performance events. Across the year, over 56 invited artists participated.
Associated projects also included core Azygy artists: Antonia Doggett, Andrew Downes, Evrah, Lauren Goode, Chris Leeds, Mario Moro, Steve Moyes, Daniela de Paulis, Max Reed, Joanne Roberts and Jeremy Tranter.
Project concept and direction: Lauren Goode.
Photo: Dennis Austin.
Video stills from documentation of performances at Hampton Court Palace, 2000.
'Dazzle'. 2000. Live Art, Movement, Research Project and Performance.The Privy Garden, Hampton Court Palace.
Artists: Jane Beveridge, Erika Cuk, Andrew Downes, Lauren Goode, Georgie Morgan, Daniela de Paulis, Max Reed, Nic Sandiland, Claire Taylor.
Led, initiated, co-ordinated and curated by Lauren Goode. Costume design and production: Lauren Goode.
Support in kind by Jerwood Space and Hampton Court Palace Education Department.
Moving image
Left: 'Markers'. A set of planted markers at Weston-Super-Mare. Lauren Goode. 1997.
Right: Lauren Goode with 'Markers'. 1999. Photo: Adrian Fisher.
‘Markers’. Lauren Goode. 1995–99.
Site-specific sets of handcrafted multiples that were planted, floated or affixed. Mixed-media, installation, performance, film/video and digital image series. Presented at events in London (‘The LadyBirds’, 1999; ‘Poem of Quantity’, Brixton Market, 1999; Camberwell Arts Week, 1998; LMC screening, 1998; ‘DGRG go to Hyde Park’, 1997); Liverpool (‘Submerge’, ISEA, 1997); and Amsterdam (‘The DGRG visit Amsterdam…’, Het Consortium, 1997).
Left: ‘Blonds’. 1998. (Film stills from collaboration with Claire Taylor, South Bank, London).
Middle: ‘Markers’. 1995–99. (Film stills from collaboration with Claire Taylor, Soho Square, London).
Right: ‘Hands’. 1996 – 98. (Film stills from a collaboration with Bunny Schendler, London and Kent).
‘Landscapes with Markers ’. Lauren Goode. 1997–98.
Selected images from a digital series.
‘Landscape Interiors’. Lauren Goode. 1996–97.
Selected image from a digital series.
Film stills – interiors with wall markers. Lauren Goode. 1997.
‘Markers’. Lauren Goode. 1995–99.
Site-specific sets of handcrafted multiples that were planted, floated or affixed. Mixed-media, installation, performance, film/video and digital image series. Presented at events in London (‘The LadyBirds’, 1999; ‘Poem of Quantity’, Brixton Market, 1999; Camberwell Arts Week, 1998; LMC screening, 1998; ‘DGRG go to Hyde Park’, 1997); Liverpool (‘Submerge’, ISEA, 1997); and Amsterdam (‘The DGRG visit Amsterdam…’, Het Consortium, 1997).
Royal College of Art MA Final Show, London. Lauren Goode. 1995.
A mixed-media installation – adapted wardrobes and bedside cabinets as castles, with battlements and secret garden chambers, and containing miniature castles (made from printer’s lead typeset), film projections of castles and light-boxes presenting a series of digital images.
Architectural forms, spatiality and embodied philosophy. Project research, writing, installations and images. Lauren Goode.1993–96.
Site visits to, and photos of, visionary urban and garden landscapes, and multi-storey car parks (UK); filming of castles (Spain and UK).
MA dissertation (1995), ‘A Multi-storey Park: Spine, Concrete Bone; Spiral Skeleton; Prevalent Impossible Wall’.
MA Final show (RCA, London, 1995).
Top left: ‘On Show IV’, Commission. Lauren Goode.1993. An installation: a set of twelve skeletal urn-forms each with code, tabula rasa and seashells; and lit (inside) by candles.
(Material: plaster with stone aggregates). Usher Gallery, Lincoln County Council.
Top right: ‘Content and Configuration’. Lauren Goode. 1992. A series of six installations: arrangements of multiples – cast, growing and constructed elements. (Materials: resin, aluminium, concrete, steel, wood, sand, shells, shingle and leather). (Solo show). Prittlewell Priory Museum, Southend County Council, Essex.
Below left and right: CSM Final and Interim Shows. Lauren Goode. 1990-91. Untitled works from mixed media installations. Central Saint Martins. London
